2021, Tokyo, Japan

The site is on a dilapidated weedy plot in the residential area of downtown Malaga. The site is at the junction of the city and forest. To the east is a residential area and the central tourism area, just  five minutes’ walk from Plaza Santa Maria, Plaza de la Merced and Cervantes Theatre; on the west is a hillside with olive trees leading to Castillo Gibralfaro.

The house is a circular tunnel filled with wind, sunlight and shadows. The exterior of the house maintains the form of a pitched roof house echoing Malaga context, while the interior is a continuous arcade. The interior camber provides a sense of primitivity, a metaphor of the cave. The concrete camber turns into a handmade pottery container offering cosy and restful residence. I always think of a photo of the Salvatore Fiume clay sculpture studio, the arched ceiling and the curved clay sculptures make up a tranquil, mysterious and even sacred spectacle. Because of the curved form and handmade texture, everything looks soft and gentle. The light diffuses and dyes the chamber with shadow; all the boundaries gradually dissolve in lightness and darkness.

“The curve is like a request that changes the sense of space (distance and perspective), the sense of volume, and the relationship between the most critical objects in the painting. The curve begins to define the clear spatial direction in the plane, and the expansion, reduction and flow in the space." When people and life enter this space, people are more likely to navigate the space, and each segment of life turn out to be integrated into this continuous field, which was  called the “Dynamic Zone” by Toyo Ito. And Ito creates this poetic space in the “House Nakano”, also known as “White U”. In this circular house built for his old sister following the loss of her husband, Ito hopes to use this curved space to provide a soft, gentle and quiet harbor. The pure white interior space dissolves light and air making them part of the wall and space. Ito hopes that his sister can dive in this air-like space to dissolve the sadness of the past. Ito also designs  a central “Dormant Zone” to provide a peaceful space without any disturbing : a yard with black soil surrounding by circular concrete wall. In our project, the blakc soiled yard was replaced by a mirror-like pool incubating powerful silence.Ripples indicate the wind which are integrated with water.

Erik Bryggman's Revival Church in Finland's Turku is also a crucial precedent for this project. Staggered axis, curved ceilings, lowered side porches and altar leading to the courtyard creates a sense of sacredness leading to elsewhere. The dim and tunnel-like hall leads pilgrims’ sight naturally to the altar illuminated by daylight. The vines on altar backwall suggest the courtyard on the east side, which also metaphorizes revival and hope. In this house with wind & water, the ring layout makes sights without ends, leading “to elsewhere”. Light and shadow, like pathfinders, alternatively dance at the end of sights, making the “tunnel” more mysterious and generous.